Soviet architecture is back in fashion. Young people are crazy about her

Soviet architecture is back in fashion. Young people are crazy about her

The old walls.

The USSR existed from 1922 to 1991, leaving to remember her by, among other things, cultural heritage, the extent of which will not challenge any supporter, nor the opponent of the system. But there is a specific genre that hardly regarded seriously by contemporaries, at least at the end of the Union — monumentalista.

Rare Soviet citizen from the 80’s would stand a mosaic or a mural depicting ardent of the builders of communism. Now, at the end of the second decade of the XXI century, the Soviet decor is nostalgic even for those who have never lived in that time.

Eva Rukhin, journalist and curator of exhibitions, maintains a blog, “concrete and pieces”, which can be called a real gift to fans of the genre. In his Instagram Rukhin collects photographs of Soviet buildings from different cities of Russia, presenting them as conceptual patterns, which you can watch endlessly, at least, so say her followers of all ages. “Ribbon.ru” offers a journey through Rohini compiled the map already defunct Soviet Union.

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50 years of the Komsomol. The monument was opened on 29 October 1968 in honor of the anniversary of the Komsomol. Duralumin the height of the obelisk 16 meters, Stella covered with tiles and smalt. Authors: architects T. P. Perminov, E. I. Kireev and artist Alexander Kotelnikov. Kaluga, Lenina street, 38, the square. 50-letiya VLKSM.

Publication from concrete and pieces (@rukhina) 24 Jun 2017 5:28 PDT

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Monument “50 years of the Komsomol” in Kaluga opened in 1968. The height of the obelisk 16 meters. The authors of the monument are architects Pavel Perminov, Evgeny Kireev and artist Alexander Kotelnikov. To see the work firsthand at the address: Kaluga, Lenin street, 38, the square. 50-letiya VLKSM.

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Female athletes. 1958. Ortalyk. Almost Deineka. #sovershenstvo #sculpture #serebrjanichesky #USSR #athletes #ussr #sovietart #sculpture #running #sport

Publication from concrete and pieces (@rukhina) on 21 Nov 2014 at 2:55 PST

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Sculpture athletes are on the Central stadium of Almaty (Kazakhstan). They appeared there in 1958, as the two are not caught in the frame of the player.

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Vanya and chicken. House of culture “detskoselskiy” dairy farm, village detskoselskiy, Central street 13, Pushkinskiy R-n, St. Petersburg. 1970-ies.

Publication from concrete and pieces (@rukhina) 14 Sep 2017 10:48 PDT

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DK “detskoselskiy” dairy and livestock farm — Pushkin district, village detskoselskiy, Central street, 13. Mosaic “Vanya and chicken” refers to the 1970s.

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Space – black. In March 1965, Cosmonaut Alexei Leonov during the 2-day flight he performed the world’s first spacewalk. Hydrometeorological research center of the USSR, 1965. Moscow, Bolshoy Predtechensky per., 11-13.

Publication from concrete and pieces (@rukhina) 4 Oct 2017 12:40 PDT

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“Space — black”, Moscow, predtechenskiy pereulok, 11-13. This mosaic is dedicated to the first man in space, made in 1965 by Alexei Leonov.

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Hymn to labor. Author Gennadi Troshkin. Komsomolskaya CHPP-2. 1973. The builders of the station. CHP station. Builders. Komsomolsk-na-Amure. Artist Gennady Troshkin. 1973.

Publication from concrete and pieces (@rukhina) 22 Jan 2017 11:15 PST

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Komsomolsk-on-Amur, CHP-2, mosaic “Hymn to labor”, 1973.

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Wonderful catch of sockeye and chum salmon. Yuzhno-Sakhalinsk. Mosaic in honor of the 100th anniversary of Lenin’s birthday. 1970. The miraculous catch of red salmon. Sakhalin. Re Mosaics’in honor of the 100th birth anniversary of Lenin.

Publication from concrete and pieces (@rukhina) 2 Jan 2017 11:55 PST

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Mosaic on the centenary of Lenin (1970) called the “Miraculous catch of sockeye and chum salmon” in Yuzhno-Sakhalinsk.

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Consumer cooperation of the USSR in 1958. awarded the Order of Lenin. Sgraffito. Khabarovsk. USSR Consumer Cooperation Union had a middle status between forbidden private shops and Soviet state trade. The Union has been awarded by the Order of Lenin in 1958. Khabarovsk.

Publication from concrete and pieces (@rukhina) 17 Feb 2017 4:29 PST

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“Consumer cooperation of the USSR”, 1958, Khabarovsk.

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“State insurance to guard your interests.” Artist Henry Asaph. 1990. Advertising on a residential brick house. Vologda, street Leningrad, 75A. Thanks for the info CAU Research. State insurance is on guard of your interests. Artist Henry Asafov. 1990. Ad mosaics on residential brick house. Vologda. Acknowledgment to CAU Research.

Publication from concrete and pieces (@rukhina) 19 Jun 2017 10:21 PDT

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This is on the wall of a brick house in Vologda (street Leningrad, 75 a) located at the end of the era in 1990. Henry Asaph, “state insurance to guard your interests.”

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“Space” and “Mathematics”, two bas-reliefs, mosaics, 1971. All-Union Scientific Research Institute of Materials of Electronic engineering (former UNIMET), Gagarin street, 1, Kaluga. Artists Vladimir vasiltsov and Eleanor Hrenova with the participation of the Korotkina. Concrete reliefs and mosaics in place, directly on the wall. Vasiltsov and Zharinova studied in the Studio of monumental painting from Deineka, also created a mosaic of the “Mobius Strip” on Nakhimovsky, at the metro station “Nagatinskaya” and on the facade of the DC proton in Protvino.

Publication from concrete and pieces (@rukhina) May 27, 2017 at 10:51 am PDT

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The bas-relief of “Space”, 1971. All-Union scientific research Institute of electronic materials — Kaluga, Gagarin street, 1. Artists Vladimir vasiltsov and Eleanor Zharenova, students of Alexander Deineka.

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Squad Of Young Firefighters. (DUP). The building of the club of young firefighters in Izmailovo. The idea of the pioneers was not to extinguish fires, but only to show the way to salvation.

Publication from concrete and pieces (@rukhina) Aug 3, 2015 at 4:10 am PDT

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“Squad of Young Firefighters” on the building of the club of young firefighters in Izmailovo. “The idea is that the pioneers were not supposed to extinguish fires, but only to show the way to salvation,” — said the author of the photo.

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The paleontological Museum. Sculptor Alexander Belashov. 1981. Someone is chosen to land. #ceramics #mural #monumental #sovershenstvo #USSR #paleontology #SOPMOD #modernism #Museum

Publication from concrete and pieces (@rukhina) 17 Jan 2015 at 3:03 PST

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The bas-relief in the Metropolitan Museum of paleontology, Alexander Belashov, 1981.

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Transport. 1971. Artist Bronislaw Shabaev. Mural at the bus station of Vologda in mixed media: painting, stamping, mosaic. Vologda, Babushkina sq. Shabaev – known book Illustrator and author of several mosaics, supplemented by chasing. Thanks CAU for the Research information.

Publication from concrete and pieces (@rukhina) Jun 17, 2017 at 4:39 PDT

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Panels “Transportation” mixed media (painting, stamping, mosaic), bus station of the city of Vologda. Artist Bronislaw Shabaev, 1971.

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Mosaic. Barnaul. Geologists in the forest.1960s. #mosaic #Barnaul #USSR #Liinahamari #diamonds #sixties #USSR #mosaics #60sdesign #geologist #barnaul #soviet #romantic

Publication from concrete and pieces (@rukhina) 9 Nov 2014 at 11:40 PST

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“Geologists in the forest” — a typical 60-E. Mosaic, Barnaul.

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Sgraffito “We are building communism”, after 1967. Moscow, Bolshaya Polyanka, 60/2, a former apartment house of Krokos. In 1920-e years in this house lived the sculptor Ivan Shadr. Copy of a fragment of the giant mural “the Energy people” the Volga hydroelectric power station, established in 1961 by a group of artists: Nikolai Baroja, Yuri Bosco, Michael Pesta, Alexander Petrov, Dmitry Pankratov. Muralist Nicholas Baroja created works for the Volga, Volgograd, Elista. Sketch of three figures he painted in 1958 for the competitive panel “the launching of the first artificial satellite, the year of the Earth.”

Publication from concrete and pieces (@rukhina) 20 Aug 2017 10:21 PDT

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Sgraffito “We are building communism” appeared at the apartment house Krokos (Bolshaya Polyanka, 60/2) in 1967. The house is now vacant and awaiting redevelopment. Image copies giant mural “Energy people” the Volga hydroelectric power station created by the team of authors: Nikolay Baroja, Yuri Bosco, Michael Pesta, Alexander Petrov and Dmitry Pankratov.

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1905. Working Marseillaise. “Renounce the old world, let’s Shake its dust from our feet! We don’t need enemies to the Golden idols, Hated us the Royal Palace”. The Artist Vladimir Favorsky. Mosaic made in 1957 for the exhibition “Moscow socialist”.

Publication from concrete and pieces (@rukhina) Oct 29, 2017 at 3:29 PDT

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Vladimir Favorsky, the “Marseillaise” in 1957.

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The life of the sun. Night. 1968. The first panel nine-series LH-606-4, a mosaic of colored ceramics created on Nevsky DSK-6. Sankt-Peterburg, vavilovykh ul, 13к2

Publication from concrete and pieces (@rukhina) 17 Sep 2018 11:42 PDT

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The first panel nine-series LH-606−4, Saint Petersburg, ulitsa vavilovykh, 13, building 2. Mosaic of colored ceramics made on Nevsky house-building plant DSK-6.

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School in Protvino. 1963. Sgraffito and mosaic. Artist Claudia A. Tutevol. A Student Of Alexander Deineka. Lyceum, Protvino, Moscow Region. 1963. Sgraffito. Artist Klavdyia Tutevol.

Publication from concrete and pieces (@rukhina) Mar 25 2015 at 6:50 PM PDT

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School in Protvino, sgraffito and mosaic, 1963. Artist Claudia Tutevol, student Deineki.

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Vyshnevolotskiy city House of pioneers. 1975. The circle of model airplanes.

Publication from concrete and pieces (@rukhina) on 21 Nov 2015 at 4:58 PST

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Vyshnevolotskiy city House of pioneers (now the House of children’s creativity), 1975, “the Circle of model airplanes”. Especially if young modelers made so sad, or so it seems now, when the old Soviet mosaics and bas-reliefs slowly decay and go back in time? The second one — if you look closely, many of the frames in the blog of Eva Rohini breathes sadness, as if works of monumentality foresee his future destiny. However, in the last decade, the interest in this genre is back again and this promises the old walls a chance at a second life.

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